PLATFORM | THE MARICONNA T-SHIRT
THE MARICONNA T-SHIRT
Introducing Juan Pablo Echeverri’s MariconnA T-Shirt, an exclusive re-edition of the late Colombian artist’s own tee made in partnership with the artist’s estate.
Riffing on the iconic logo for the rock band Metallica, Echeverri created his own symbol re-appropriating a Spanish slur for “gay” and used it throughout his practice and on clothing he wore.
https://www.platformart.com/features/mariconna-tshirt-by-juan-pablo-echeverri
A Look at Hair from Diane Arbus to TikTok
From Afro, locs, braids or cornrows to bob, beehive or taper, hair is an integral part of our everyday culture and offers unlimited design possibilities. How we choose to show or hide, grow or shave our head, facial and body hair is an expression of our personality, but also of our affiliation to social, political, religious or cultural communities. We use hairstyles to communicate, optimise and conceal a part of our identity, to set ourselves apart or fit into a collective, and thus to send out messages – whether intentionally or unintentionally. In the everyday tension between intimacy and public representation, we use our hair to show our individuality, conformity, rebelliousness or solidarity.
The exhibition entitled Grow It, Show It! explores the historical, political and everyday cultural significance of hair through a wide range of historical and contemporary photographs, videos and film clips from art as well as fashion and social media.
Hoda Afshar, Laura Aguilar, Diane Arbus, Ellen Auerbach, AWA: la revue de la femme noire, BALAM, Jürgen Baldiga, Barber Turko, Carina Brandes, BRAVO, Nakeya Brown, Tessica Brown, Julia Margaret Cameron, Jim Carrey, Chaumont–Zaerpour, Heather Dewey-Hagborg, Rineke Dijkstra, Juan Pablo Echeverri, Anna Ehrenstein, Lotte Errell, Jason Evans, Rotimi Fani-Kayode, Samuel Fosso, Pippa Garner, André Gelpke, Weronika Gęsicka, Camilo Godoy, Nan Goldin, Ulrich Görlich, Henriette Grindat, Carola von Groddeck, Wolfgang Tillmans, Hank Willis Thomas, Marie Tomanova, Tunga, Danielle Udogaranya (Ebonix), Dorothea von der Osten, William Wegman, Tom Wood, Yatreda, Leyla Yenirce, Sheung Yiu…
SEP 15, 2024 – JAN 12, 2025
https://www.museum-folkwang.de/en/exhibition/grow-it-show-it
Museumsplatz 1
45128 Essen
T +49 201 8845 000
Museum Folkwang | GROW IT, SHOW IT!
On Flourishing reflects exhibitions of the past eleven years at Klemm’s gallery in Prinzessinnenstrasse, opening tomorrow, Saturday APR 20, 2024, from 4—8 pm.
With the next, exciting chapter in the new gallery space about to start, we have decided to gather a selection of significant pieces that have inhabited these walls over the past years — each one a different, individual chapter of a shared history — now dialoguing together on the occasion of the very last group show hosted by Klemm’s Kreuzberg location. This celebration is not just a reflection of the past but a bridge to the future. It is an invitation to get together and celebrate not only the gallery’s history but also the vibrant community that shares our memories, emotions, and visions.
Viktoria Binschtok, Juan Pablo Echeverri, Keltie Ferris, Ulrich Gebert, Jan Groover, Elizabeth Jaeger, Sven Johne, Alexej Meschtschanow, Bernard Piffaretti, Émilie Pitoiset, Adrian Sauer
APR 20, 2024 – JUN 01, 2024
https://www.klemms-berlin.com/exhibitions/on-flourishing/
Prinzessinnenstraße 29
10969 Berlin, Germany
Opening hours
Tue–Sat 11 am–6 pm
KLEMM’S Gallery | On Flourishing
Juan Pablo Echeverri’s works miss fotojapón #4 and #5 are now part of the collection of MoMA - the Museum of Modern Art, New York.
Medium
Two collages with eight-hundred and sixty-four inkjet prints (diptych)
Copyright
© Juan Pablo Echeverri. Courtesy of the Juan Pablo Echeverri Estate
https://www.moma.org/artists/136619
Recent acquisition | MoMA - The Museum of Modern Art
KLEMM’S Gallery | The estate of Juan Pablo Echeverri
Representation of The estate of Juan Pablo Echeverri
Klemm’s gallery Berlin is honored to announce the representation of the estate of Juan Pablo Echeverri!
Juan Pablo Echeverri (1978–2022 Bogotá, Colombia) was one of the most interesting voices among contemporary visual artists from Latin America. Mainly concerned with self-portraiture, his work is multi-faceted in the truest sense of the word. Echeverri’s oeuvre consists of a series of clearly demarcated cycles of images and videos with each cycle being both visually distinctive and endowed with a surprising formal stringency, challenging fixed notions of the self and even the contours of truth and deception, identity and masquerade.
Image: Juan Pablo Echeverri, from his series: miss fotojapón, 1998–2022
For more information:
https://www.klemms-berlin.com/artists/juan-pablo-echeverri/
Phaidon Press | Latin American Artists: From 1785 to Now
Latin American Artists: From 1785 to Now
The essential survey showcasing the work of more than 300 modern and contemporary artists born or based in Latin America.
Latin American artists have gained increasing international prominence as the art world awakens to the area’s extraordinary art scenes and histories. In an accessible A-Z format, this volume introduces key artworks by 308 artists who together demonstrate the variety and vitality of artwork being made. Focusing on those born, or who have lived, in the 20 Spanish and Portuguese-speaking regions of Latin America, and featuring historic and living artists – both those celebrated internationally and names less-known outside their native countries – this book has been created in close collaboration with an expert panel of 68 advisors and writers.
Madrid | Museo CA2M
Archipiélago de Lentejuelas
Juan Pablo Echeverri, La Chola Poblete, Lucía C. Pino, Andrés Senra, Manuel Solano, George Ton, Stoll Tadáskia, Osías Yanov y Inês Zenha
MAY 31, 2023 - JAN 7, 2024
Esta exposición es una muestra de la diversidad de género, en las colecciones Museo CA2M y Fundación ARCO, desde las poéticas de visibilidad LGTBI a las recientes estéticas trans. Archipiélagos de lentejuelas ocupa el espacio más público del museo, su planta baja, para constituir una celebración de la diferencia, la misma que cada año a comienzos de julio se celebra en la fiesta más grande de la capital de España: el Orgullo LGTBI+.
Museo Centro de Arte Dos de Mayo
Avda. Constitución 23
28931 Móstoles, Madrid
James Bantone, Nina Childress, Chelsea Culprit, Juan Pablo Echeverri, Barbara Hammer, Aurora Király, Hein Koh, Jean-Charles de Quillacq, Elle Pérez, Emilie Pitoiset, Davide Sgambaro, Nora Turato, Dena Yago
OBSELFED
JUN 24, 2023 – JUL 29, 2023
Prinzessinnenstraße 29
10969 Berlin, Germany
Opening hours
Tue–Sat 11 am–6 pm
https://www.klemms-berlin.com/exhibitions/obselfed/
Berlin | KLEMM’S
New York | James Fuentes
Juan Pablo Echeverri: Identidad Perdida
June 7 - July 29, 2023
James Fuentes
55 Delancey St, NY 10002
New York, USA
https://jamesfuentes.com/exhibitions/identidad-perdida
Berlin | Between Bridges
Juan Pablo Echeverri: Identidad Perdida
27 April–29 July 2023
Opening Hours:
Wednesday–Saturday
12–6pm
Adalbertstraße 43, 10179 Berlin, Germany
https://www.betweenbridges.net/exhibition-space/theses-on-hope/11-juan-pablo-echeverri
Juan Pablo Echeverri | James Fuentes Press
Surveying the visionary work of Colombian artist Juan Pablo Echeverri (1978-2022), this publication accompanies the exhibition Juan Pablo Echeverri: Identidad Perdida presented in two parts at Between Bridges, Berlin (April 2023) and James Fuentes, New York (June 2023). Detailing the wide-ranging work in both exhibitions, spanning his entire career, the publication features a foreword from Wolfgang Tillmans, a reprinted interview with the artist, and a new essay by Inti Guerrero.
British Journal of Photography | Juan Pablo Echeverri
Identidad Perdida [‘Lost Identity’] is a new show devoted to the work of Juan Pablo Echeverri, a Colombian artist who died suddenly last year of malaria.
Curated by Wolfgang Tillmans with some of Echeverri’s closest friends and family, it’s now open at Tillmans’ Between Bridges gallery in Berlin and is coming soon to the James Fuentes gallery in New York. The two-site exhibition gathers work made by Echeverri over the last three decades, and is both a tribute to the artist and a chance to get his work more widely seen – work that, says Tillmans, still hasn’t received its due. “In retrospect it has become clearer how important his work was, and how trailblazing,” he comments.
https://www.1854.photography/2023/05/tillmans-echeverris-lost-identity/
From left to right: MascuLady, 2006; miss fotojapón (1m x 1m #1 2023), 1998-2022; futuroSEXtraños, 2016
MUTILady, 2003 / 2023, offset print, 84,1 x 59,4 cm